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The Devil Wears Prada

The Devil Wears Prada

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Author: Lauren Weisberger
Creator: Bernadette Dunne
Publisher: Books on Tape
Category: Book

Buy New: $150.00



New (1) Used (6) from $15.00

Avg. Customer Rating: 3.0 out of 5 stars 1025 reviews
Sales Rank: 2161871

Format: Audiobook, Unabridged
Media: Audio CD
Edition: Unabridged
Number Of Items: 1

ISBN: 0736693378
EAN: 9780736693370
ASIN: 0736693378

Publication Date: December 2003
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: UNABRIDGED(CD). 15 hours, 11 CDs. Brand new. Read by Bernadette Dunne (Amer.) Ships fast.

Also Available In:

  • Paperback - The Devil Wears Prada
  • Paperback - Devil Wears Prada, The
  • Paperback - The Devil Wears Prada
  • Paperback - The Devil Wears Prada
  • Mass Market Paperback - The Devil Wears Prada
  • Hardcover - The Devil Wears Prada: A Novel
  • Audio Cassette - The Devil Wears Prada
  • Audio CD - The Devil Wears Prada
  • Audio Cassette - The Devil Wears Prada
  • Audio CD - The Devil Wears Prada
  • Audio CD - The Devil Wears Prada (Movie Tie-In)
  • Hardcover - The Devil Wears Prada
  • Audio Cassette - The Devil Wears Prada
  • Paperback - The Devil Wears Prada: A Novel
  • Paperback - The Devil Wears Prada
  • Paperback - The Devil Wears Prada
  • Hardcover - The Devil Wears Prada
  • Library Binding - Devil Wears Prada
  • Audio Download - The Devil Wears Prada
  • Audio Download - The Devil Wears Prada (Unabridged)
  • Audio Download - The Devil Wears Prada (Unabridged)
  • Kindle Edition - The Devil Wears Prada
  • Paperback - DEVIL WEARS PRADA

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  • Confessions of a Shopaholic

Editorial Reviews:

Amazon.com Review
It's a killer title: The Devil Wears Prada. And it's killer material: author Lauren Weisberger did a stint as assistant to Anna Wintour, the all-powerful editor of Vogue magazine. Now she's written a book, and this is its theme: narrator Andrea Sachs goes to work for Miranda Priestly, the all-powerful editor of Runway magazine. Turns out Miranda is quite the bossyboots. That's pretty much the extent of the novel, but it's plenty. Miranda's behavior is so insanely over-the-top that it's a gas to see what she'll do next, and to try to guess which incidents were culled from the real-life antics of the woman who's been called Anna "Nuclear" Wintour. For instance, when Miranda goes to Paris for the collections, Andrea receives a call back at the New York office (where, incidentally, she's not allowed to leave her desk to eat or go to the bathroom, lest her boss should call). Miranda bellows over the line: "I am standing in the pouring rain on the rue de Rivoli and my driver has vanished. Vanished! Find him immediately!"

This kind of thing is delicious fun to read about, though not as well written as its obvious antecedent, The Nanny Diaries. And therein lies the essential problem of the book. Andrea's goal in life is to work for The New Yorker--she's only sticking it out with Miranda for a job recommendation. But author Weisberger is such an inept, ungrammatical writer, you're positively rooting for her fictional alter ego not to get anywhere near The New Yorker. Still, Weisberger has certainly one-upped Me Times Three author Alex Witchel, whose magazine-world novel never gave us the inside dope that was the book's whole raison d' etre. For the most part, The Devil Wears Prada focuses on the outrageous Miranda Priestly, and she's an irresistible spectacle. --Claire Dederer

Product Description
A sharp, witty and hugely entertaining debut novel, The Devil Wears Prada is The Nanny Diaries set in the world of high fashion. Welcome to the dollouse, baby! When Andrea first sets foot in the plush Manhattan offices of Runway she knows nothing. She's never heard of the world's most fashionable magazine, or its feared and fawned-over editor, Miranda Priestly. But she's going to be Miranda's assistant, a job millions of girls would die for. A year later, she knows altogether too much: That it's a sacking offence to wear anything lower than a three-inch heel to work. But that there's always a fresh pair of Manolos for you in the accessories cupboard. That Miranda believes Hermes scarves are disposable, and you must keep a life-time supply on hand at all times. That eight stone is fat. That you can charge cars, manicures, anything at all to the Runway account, but you must never, ever, leave your desk, or let Miranda's coffee get cold. And that at 3 a.m. on a Sunday, when your boyfriend's dumping you because you're always at work, and your best friend's just been arrested, if Miranda phones, you jump. Most of all, Andrea knows that Miranda is a monster who makes Cruella de Ville look like a fluffy bunny. But also that this is her big break, and it's going to be worth it in the end. Isn't it?


Customer Reviews:   Read 1020 more reviews...

5 out of 5 stars Great Read   November 3, 2008
I just loved this book! I thought that the writing was brilliant. Towards the end though it did get repetitive about just how bad her boss was. I wanted to say, "Okay, I get it already!" It was a bit much. But all in all, I really enjoyed it and would highly recommend it.


2 out of 5 stars Almost tossed it in the recycling bin but finished it   November 3, 2008
Okay, so I was just looking for something to read during my lunch hour, and it seemed to fit the bill. Thing is, most of the action is just the main character running errands for her mean boss; there really isn't much of a plot. The storyline is predictable, and nothing surprising really happens. I think I was just as bored as the main character seems to be.

Besides the story itself, I just hate that the author uses negative stereotypes of Southerners. First of all, she doesn't even get the accent right; her description in chapter six of Mr. Tomlinson's secretary's "deep southern drawl" reads like this: "How mah I hep ya tuhday?" (97). I don't know what kind of accent that's supposed to be, but it's not southern. Secondly, she thinks all Southerners are "rednecks." The three main examples come from Chapter 14: " 'I guess you're right,' I sighed, still refusing to accept that my Friday night was to be spent in a formal gown at the Met, greeting wealthy-but-still-rednecks from Georgia and North and South Carolina..." (306); " 'I want my Andy to look just as sophisticated as all the big-money Carolina rednecks she'll be serving tonight like a common waitress' "(315); "I knew it wasn't going to be a trendy New York crowd, but I was expecting them to look like something out of 'Dallas'; instead, they looked like a dressier version of the cast from 'Deliverance' " (325). Why the need to make every person who lives in the southern United States into a "redneck"? And why is every other accent in the book (English, Australian, French) charming but a southern accent means you're out of "Deliverance"? Thumbs down, Weisberger. You need a real-world education; start by traveling outside of New York!



5 out of 5 stars A must have.   October 20, 2008
If you loved the movie, you'll love this book. It takes different turns and keeps you interested. I loved loved loved this book!


3 out of 5 stars Personal slaves and 6 shades of mascara   September 23, 2008
"Devil Wears Prada" is quite an enjoyable book, if you have all time in the world in your hand. Very realistic and hilarious. Very good for learning about fashion and the glamour world.

Now about the subject matter, well, if this person Miranda Priestly actually exists in real life (in a different name of course), as claimed, I wonder what she thinks about looking at her own true self in public mirror. She is unfair, unkind, mean, vile, domineering and tyrannical. She never even pours herself a glass of water, and her slaves wait her on hands and knees. In 432 pages of the book, Miranda Priestly violated at least 400 basic human rights. However, the big question is, where her fame plus existence would be, if hundreds of Runway employees didn't support. So why none of them ever bothered reporting her to the Human Rights Commission. Why did they let her have her way like this and let it go on for so long? Is this the idea of capitalism? And particularly, why somebody who wants to write as a profession would take a job as a personal slave? What kind of a boss forbids her assistants to eat or use the toilet and get away with it? Even in USA?

Throughout the book, these personal slaves arranged her trips, fetched her food, served her demands, took her car to garage, picked up her dirty laundry, ordered for her desired goodies, her designer dress and makeup and accessories; but wait a minute, I'm confused, Miranda Priestly is an editor, right? She is not a fashion model herself. A fashion magazine is supposed to work on the fashion models, right? She is an icon in the fashion world, but does not pose herself on magazine covers, right? They are supposed to care for what models wear and use, right? So why does everybody work their butt off to cover this editor in diamonds?

And what's with this materialistic concept of life-style? Since when painting face in 20 layers of make-up or 6 different shades of mascara or having more supplies+instructions than a NASA scientist needs or brand names written all over the body is a huge achievement in life or maybe the ultimate goal of life for these privileged people? These makeup Gestapos and fashion Nazis. Hmmm, think of the remote regions in the third world where obtaining little bit of food or medicine only once a week is a regular way of life.

To be honest, no matter what the author's intention was, I COULDN'T really bring myself to feel empathy for Andrea. She gets her personal chauffer and limo ride anywhere she goes, she doesn't even need to use public transportations. If one thinks her life is arduous, try to live and work in Bangladesh or Pakistan or India, you will see what an "arduous everyday life" means.

Every time she is out on the street running an important errand for Miranda (especially she knows very well how Miranda gets impatient and pissed), still she (Andrea) is either taking time smoking cigarettes or talking on the phone with her boyfriend or girlfriend! Are those absolutely "life-and-death" necessity during working hours? Not to mention her home-front, her family and boyfriend and girlfriend, who tried to jeopardize her career and kill her ambitions and bring her down to their trailer-trash level in every opportunity they got.

In my opinion the author babbled way too much constantly and unnecessarily. Here is an example, Miranda asked Andrea to come to the party at 4pm on page 305. Party starts at 7pm the same evening. Page 320, 321, 322...... we are still not at the party! Party finally starts on page 325! Imagine! 3 hours, 20 pages! Furthermore, she wasted plenty of pages on this Lily the whorish alcoholic troublemaker fiasco, as if it is Lily's biography! That was an annoying distraction from the main focus of the story line. She is a screw-up and drowned in booze and no match for Andrea's level, so why going on and on about Lily and fattening the book? Especially, the book should have ended at page 412. Chapters 18 and 19 (page 413-432) were completely useless, pointless and ridiculous. Those pages seemed like somebody else added them later, or the author doesn't know where to stop.

Ultimately what came out of this whole thing? Has Andy learned something out of it? This entire ordeal ended up in nothing. She eventually went back to her trailer-trash life, to become a fat Jewish mom in dirty clothes and having a half-blind wet-blanket husband and a bunch of screaming snotty babies. Maybe that's good enough for her.





4 out of 5 stars Uneven   September 11, 2008
DWP has many pluses and minuses. The pluses are a great plot centered around a struggle with a power crazed boss. The minuses are the many overwritten passages. Weisberger was new to writing and that is to be expected and the story eclipses a lot of it. The best thing to say for it was I was pushed to turn the page and could read it in a short period of time and feel transported to her situation even when I didn't like the genre. For a first timer that is impressive.

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